9x9x9.SPACE, originates from a simple and absolute mathematical structure: a three-dimensional matrix composed of 81 integers arranged in a 9×9 grid. Each number can represent the height of a module. Each sequence defines a possible spatial configuration. From this foundation, I explore the construction of a generative system that I find fascinating in its essential nature and formal strength.

My work is not about representing something, but about making a structure visible. I move within a virtual and conceptual space where each configuration — among more than 10⁸¹ theoretical possibilities, more than atoms in the Universe — becomes a potential artwork. My practice is based on the act of choosing, isolating, and giving shape to a single possibility within a universe of variations. Algorithms and code become form, just as images and geometries become numbers.

I operate on two levels. On the one hand, the logical representation: each work has its own source code, a numeric matrix that defines its structure and identity. This coding allows for immediate comprehension by both human observers and machines, creating a bridge between human thought and machine language.

On the other hand, the physical representation: by using squares, grids, or rectangular prisms proportional to the corresponding numerical values, I construct objects that make mathematical abstraction visible and tangible.

To work with this language, I developed a digital environment that enables me to generate, modify, and observe configurations. It is my virtual studio, a tool through which I can explore the balance between logic and form, between rule and variation.

Each work can be assigned a unique numerical matrix that identifies it precisely and unrepeatably. Even minimal changes in the values generate distinct forms, often distinguishable only through close reading or comparative analysis. In this way, every piece acquires its own formal identity, while preserving the same aesthetic message.

Seriality, for me, is not replication but an exploration of possibilities: each creation is a singular variation, formally autonomous, conceptually coherent. It is a practice that challenges classical notions of the original and the copy, allowing me to conceive of art as a system, not as an exception.

With 9x9x9, I pursue an open reflection on the relationship between order and chaos, between digital and physical, between information and matter. Each work is, to me, a point within the space of systemic possibility. I don’t aim to control them, but to listen — and let them emerge.

The structure is already there: I simply watch it take form.